Hỏi tí về kinh nghiệm giao tiếp tiếng Anh

Lại một topic tiếng tây rất thư giãn

Dù sao thì, kinh nghiệm của mình, trong mọi cuộc giao tiếp tiếng Anh cũng như thi tiếng Anh, câu nói đầu tiên của mình luôn là: "My English isn't good, please try to understand me!". Xong!

 

sir give me dollar sir sir sirrrrrrrrr .

 

theo mình nên theo các bước sau,còn kinh nghiệm thế nào tùy cơ ứng biến sau:
1,hey,can u speak vietnamese?
a,yes==>>xì xà xì xồ với nó
b,no===>>đến quán bar này tao giới thiệu cho vài thằng tây mà nói chuyện...bla bla View attachment 142000 (mình ko biết tiếng anh)
b1,yes===> xong
b2,no===> chửi nó = tiếng việt với 1 nụ cười niềm nở,bữa nào gặp lại thì kiếm cái khác mà nói

 

Hey go with me , i'll show ya something really BIG

 

Can I make u hard 2nite?

Meet my balls babe, let's have some fantasy sword-fighting..

 

Thôi nghiêm túc nhé
Trước tiên chào nó: Hello

sau đó nói thế này:

The word surrealist was coined by Guillaume Apollinaire and first appeared in the preface to his play Les Mamelles de Tirésias, which was first performed in 1917.

World War I scattered the writers and artists who had been based in Paris, and in the interim many became involved with Dada, believing that excessive rational thought and bourgeois values had brought the conflict of the war upon the world. The Dadaists protested with anti-art gatherings, performances, writings and art works. After the war, when they returned to Paris, the Dada activities continued.

During the war, André Breton, who had trained in medicine and psychiatry, served in a neurological hospital where he used Sigmund Freud's psychoanalytic methods with soldiers suffering from shell-shock. Meeting the young writer Jacques Vaché, Breton felt that Vaché was the spiritual son of writer and pataphysics founder Alfred Jarry. He admired the young writer's anti-social attitude and disdain for established artistic tradition. Later Breton wrote, "In literature, I was successively taken with Rimbaud, with Jarry, with Apollinaire, with Nouveau, with Lautréamont, but it is Jacques Vaché to whom I owe the most."[1]

Back in Paris, Breton joined in Dada activities and started the literary journal Littérature along with Louis Aragon and Philippe Soupault. They began experimenting with automatic writing—spontaneously writing without censoring their thoughts—and published the writings, as well as accounts of dreams, in the magazine. Breton and Soupault delved deeper into automatism and wrote The Magnetic Fields (1920).

Continuing to write, they attracted more artists and writers; they came to believe that automatism was a better tactic for societal change than the Dada attack on prevailing values. The group grew to include Paul Éluard, Benjamin Péret, René Crevel, Robert Desnos, Jacques Baron, Max Morise,[2] Pierre Naville, Roger Vitrac, Gala Éluard, Max Ernst, Salvador Dalí, Man Ray, Hans Arp, Georges Malkine, Michel Leiris, Georges Limbour, Antonin Artaud, Raymond Queneau, André Masson, Joan Miró, Marcel Duchamp, Jacques Prévert, and Yves Tanguy.[3]